As a faithful oil painter, I admit to seeing other painting media. Actually, it’s been going on for a while.
I’ve enjoyed painting quick watercolor pieces on site since studying abroad in the summer of ‘97. Watercolor has its unique challenges, but I’ve always enjoyed it for it’s immediacy and the ease of traveling with it.
Plus, I can paint quickly.
Lately, spending 2 - 3 hours working on an oil painting out in the field simply doesn’t fit in my life. And that’s ok, as I’ve filled this artistic void by filling sketchbooks with small watercolor paintings. Watercolor, gouache, and casein paint, actually, as the combination of both watercolor and opaque applications of paint better corresponds to my palette of oil colors.
Here’s a selection of the paintings, all completed in the spring of 2019 at a small wetland area near my home.
The practice of painting these out in the field has been invaluable to my studio work - as I’ve been exploring the theme of abstracted wetland scenes for the past year or so.
Going from plein air watercolors to studio oils has been such a rewarding process. I’ve never felt that working from small, plein air oil paintings to complete larger studio paintings was a very satisfying experience. It became an exercise in enlarging my work, rather than creating new work. My sketchbooks of watercolor paintings inspire and inform - rather than dictate - my studio work.